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The Oscars accept an awkward history of snubbing changeable directors. Bar Streisand was artlessly verklempt but ultimately accomplished aback the Motion Account Academy bootless to appoint her for 1983’s “Yentl,” a agreeable allegory about a damsel who pes as a man to accretion an education.

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“It was strange,” recalls Streisand over a cup of tea at her beauteous Malibu estate. “I didn’t apperception it for one reason: It absolutely showed the ism. I anion by not actuality nominated, I put a spotlight on the issue. I thought, ‘Wow. This is so transparent.’”

Some 34 years later, the barriers that Streisand bankrupt through — as the aboriginal woman to alter duties as the star, director, ambador and co-writer of a distinct flat cine — are at the beginning of everyone’s apperception in Hollywood. “I didn’t apperceive it was a bottle ceiling,” she says about her accommodation to footfall abaft the camera. “I aloof thought, they don’t accept in a woman’s accommodation to handle affairs or to be the businessman. Years ago, I was told, ‘You ap control? A woman wants control? That’s crazy!’”

As the 90th Academy Awards commemoration gets accessible to disentangle on March 4, there’s no agnosticism that women are uredly regaining ascendancy of their own narrative. There’s been an aberrant reckoning with the #MeToo movement and the firings of powerful, high-profile men accused of animal corruption and harment, such as Harvey Weinstein, Matt Lauer and Charlie Rose. And in contempo months, the Time’s Up attack has aloft $20 actor to advice eradicate animal aggravation in the workplace.

“It’s aloof awe-inspiring,” says Streisand, 75, who was motivated to allege out in a attenuate two-hour account with Variety. “I’m absolutely proud.” Although she hasn’t appeared in a blur aback 2012’s “The Guilt Trip,” her bequest looms ample over awards season. Streisand — who won a best extra Oscar about 50 years ago for “Funny Girl” and addition cartoon for song for 1976’s “A Star Is Born” — was the bigger changeable cine brilliant in the post-studio system. She acclimated her ability to advantage belief that she capital to tell.

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“I had an consequence of her afore we got together,” says Robert Redford, her co-star in 1973’s “The Way We Were,” which becoming Streisand a best extra Oscar nomination. “My consequence was that she was beautiful, alike with her disturbing insecurities and so forth. And so during the film, it was actual easy. She was arena addition who was insecure. And I appear into her activity and ure her that she’s bigger than that.”

Spending the day with Streisand at her home overlong the Pacific Ocean reveals addition who lives up to her acceptability as actuality abundant beneath y than one ability expect. Her abiding date alarm prompts her on several occasions to bang anybody but the columnist out of the accommodation area she is actuality s. She stage-manages some of the setups and lighting cues, accurate to the accurate that she is. She alike reshoots a alternation of abbreviate interviews to her absolute liking: “I apperceive how this should look,” she declares.

She is at already shy but decidedly balmy and aboveboard during our all-encomping interview. She reveals how she was anesthetized over for administering “Hidden Figures,” how the “vulgar” Weinstein already threatened her, how she scoffed at ambador Scott Rudin aback he appropriate that she blur a Broadway embly of “Gypsy,” and what cine she hopes to captain afterwards a 22-year breach from directing.

Along with her bedmate of 20 years, James Brolin, there’s no one she enjoys administration her abode with added than her three Coton de Tulear dogs. Conceivably her bigger reveal: Absence Violet and Absence Scarlett were cloned from beef taken from the aperture and abdomen of her admired 14-year-old dog Samantha, who died in 2017. Absence Fanny is a abroad cousin.

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“They accept altered personalities,” Streisand says. “I’m cat-and-mouse for them to get earlier so I can see if they accept her amber eyes and her seriousness.”

Of course, the abrupt Democrat doesn’t absence an befalling to attenuate Donald Trump: “He embodies the awful animadversion he makes about added people. He’s a liar. He’s ed.”

She’s appropriately baking about the abusage and asperity of women in Hollywood and the apathy of an industry that has bootless to actualize added opportunities for changeable filmmakers. In her long-in-the-works memoir, Streisand devotes a affiliate to “The Boys’ Club.” Aback will her book see the ablaze of day? “I accept no idea.”

Streisand has been a Hollywood trailblazer for bristles decades, creating a alude area discussions about according ysis for women could alike exist. “I accept a band in one of my journals,” she says, flipping through anchor abounding with pencil-written notes. “It was absolutely about how we’re giving you” — she nods to her macho accuser — “the account of the agnosticism that we’re equal. I ane women are added able than men.”

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Streisand followed up her aboriginal blur role in “Funny Girl” with 1969’s “Hello, Dolly!” She wasn’t abiding if she was the appropriate best to comedy the agent Dolly Levi. “I said, ‘Why don’t you appoint an earlier woman?’” Streisand recalls. “I anion I was absolutely miscast. I approved to get out of it. So abounding bodies adulation that movie. In fact, Ryan Murphy said to me, ‘I watch it every Christmas.’” She’s not as enamored. “I ane it’s so silly,” she says. “It’s so old-time musical.”

CREDIT: Russell James for Variety

In 1977, Streisand became the aboriginal changeable artisan to

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