“My wigs are artefacts to animate and develop affiliated transformation,” says New York-based totally hairstylist and acclaimed wigmaker Tomihiro Kono. “So, ask who you appetite to be, be given your wig, and footfall into your new existence.”
From blowzy lavender shags and cobalt-blue mullets to aerial Rococo bouffants and lacquered experience after-effects that arm-twist the generation of silent-movie stars, Kono’s adept creations are a anarchism of color and texture. A favorite amid the emblem of Isamaya Ffrench and Japanese more Tetsuko Kuroyanagi, Kono’s wigs receive admiring a band following, as has his camp Instagram annual region Kono posts his cutting-edge beard afflatus and snaps of his band of playful, low priced beard extensions. Anticipate absorbing buzzcut toppers, colourful mohawk add-ons and Rothko-inspired rat tails.
Beginning his career in Tokyo, vicinity he cautioned the age-old art of Geisha hairstyling from a Japanese grasp, Kono shaped as a hairstylist for twenty years. In 2013, he harassed to New York, region he started out a protracted-running accord with Junya Watanabe that spanned 9 abstracted aerodrome collections amid 2014 and 2016—he’s abaft the sumo-inspired hairpieces in Comme des Garçons’ SS15 menswear display.
Kono stressed to London in 2017, location he received acclamation as a affair stylist for publications such as Dazed and i-D, his project characterised via bespoke headpieces made from begin altar including metal and feathers. His pass into wigs turned into a acknowledgment to the minimalist beard fashion past fashion, which he acquainted became airless his creativity. For Kono, wigs have become an aperture for his exceptional adventuresome thoughts, and what began as a appeal with beard as an apparent assertion of near appearance has sure snowballed into article entirely experimental.
Inspired via a aggregation of references, Kono’s pieces aren’t angry bottomward by means of this capability or that term, that’s conceivably what makes his venture feel so cutting-edge. It’s interesting, then, to beam Kono inside the added wig landscape, which has acquired in contempo years from afflicted backdrop and clinical use (as a way of accoutrement beard loss) to a virtually accustomed aesthetic exercise. The mainstream-ification of annoyance ability and the popularisation of colourful wigs via stars inclusive of Cardi B and Kylie Jenner has birthed a flurry of wig-associated Instagram bills, including Wig Chapel and Parizhair.
Fresh from the barrage of his new book, Personas 111: The Art of Wig Authoritative 2017 to 2020, an amalgamation of 3 years’ project spent knotting, colouring, aberrant and by myself stranding wigs from scratch, we allege to Kono about blockage artistic during lockdown and the upcoming of wigs.
“I at first began my career as a affair stylist due to the fact I want to actualize hairstyles that could transform a model’s individual. I’m constantly amorous about acquirements new strategies and talents, so I started on wigs. Also, I virtually adore alive on my own within the studio. I capital to evolve for a drawing close wherein I ought to assignment remotely. Of route, I wasn’t assured the coronavirus communicable to show up.”
“I’ve been authoritative AR filters of my wigs for bodies to attempt on and adore the transformations at home. I’ve additionally been crafting decorated wigs for a quality abundance in Tokyo, Otoe, and management my wig inspos on Instagram.”
“I’ve had ample time to anticipate about my drawing near plan, but I can’t acquaint you that suitable now.”
“Mainly, I accede the advent abaft the hair. I can comedy with reduce, shape, colour and management to do article artery look or go genuinely over the pinnacle and excessive.”
“I fashioned as a beautician in Harajuku inside the aboriginal 2000s, so I anticipate that’s location the Tokyo artery capacity comes from. Young children always be given this kind of different fashion, I adulation it. I was additionally hugely afflicted by means of British and American musicians and bedrock stars. But my best preferred afflatus is the Rococo aeon due to the fact that turned into the craziest time for hair. It turned into all so extravagant, like these big ships to your head.”
“Hairstyles are cautiously accompanying to our identification. They actualize each our near and alien self. This can reflect our persona or, in a few way, can adumbrate our accurate self. I anticipate burning transformations are reachable with my wigs, I like how delusion will become fact.”
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